This is a review of the first three books in Eden Finley’s Fake Boyfriend series — Fake Out, Trick Play, and Deke — reviewed together because the real story here isn’t any single book, it’s how differently the same trope can be executed inside one series, one universe, one author’s hand. (Books four and five shift away from the fake-dating premise entirely and aren’t covered here.)
Listen to the Full Discussion of the Fake Boyfriend series:
The Quick Version
Fake Out (Book 1): A straight-passing guy tells his ex-girlfriend he broke up with her because he’s gay; when she demands he bring the boyfriend to her wedding, he has to produce one fast.
Trick Play (Book 2): An NFL player is forcibly outed against his will and loses his contract under a morality clause; a friend with a politically connected family volunteers to be his very public, very stable-looking boyfriend to salvage it.
Deek (Book 3): A closeted NHL player falls for a guy who turns out to be a journalist — and the “fake dating” here runs in reverse of the other two.
The Real Insight: Public vs. Private, Inverted Three Ways
Checked against our FAKING IT Framework, what makes this trilogy worth studying isn’t which book nails every step best — it’s that each book puts the fake/real split in a different place, using the exact same trope shape:
Fake Out: Privately, both leads and their friend circle know it’s fake. Publicly, almost nobody cares either way — Maddox isn’t famous, so there’s no real exposure risk. Low external stakes, high internal ones.
Trick Play: Publicly, the relationship is real-looking and highly visible — magazine coverage, multimillion-dollar contract implications. Privately, both leads know it’s fake going in. The threat comes entirely from outside forces (media, morality clauses) discovering the truth.
Deek: This one inverts the whole structure. Publicly, the two leads aren’t together at all — they’re actively hiding, kicking Ollie’s roommate out of rooms, staying invisible. It’s privately, with Ollie’s family specifically, that the fake dating happens. Nobody outside that circle knows anything is going on.
That’s the actual craft lesson here: the FAKING IT framework’s steps (Falsehood, Agreement, the threat of exposure) don’t require the same public/private configuration every time. Same trope, same author, same universe — three structurally distinct answers to “who’s being fooled, and by what.”
Fake Out (Book 1) — The Strongest Entry
Why it works: Maddox makes a genuinely bad decision at the start (lying to his ex about being gay to end things cleanly) and has to live with the consequences chasing him the whole book — closer to Just Go With It than a clean fake-dating setup. Damon, the guy roped into playing along, isn’t a pushover about it either: he’s explicit that he doesn’t want to like Maddox because Maddox is a liar, and sets real boundaries before anything develops. That tension between “I like you” and “I’m not going to be your experiment” is the emotional core of the book, and it’s the reason both hosts named this the standout of the three.
Best moment: Damon’s refusal to be pulled back in casually, followed by the slow, earned build of actual trust — described by one host as putting your own mask on before helping anyone else, a rare instance of a character protecting himself without becoming cold about it.
Trick Play (Book 2) — The Stressful One
Why it’s a rougher ride: A forced outing raises the stakes immediately and never really lets up — both hosts flagged this as the most anxiety-inducing of the three, to the point that one host skipped ahead to confirm the ending before going back to read the middle. The politically-connected boyfriend setup adds a second layer of exposure risk (paparazzi, family reputation) on top of the football contract stakes already in play.
Worth knowing: If you found Hothead’s high-external-stakes fake dating stressful rather than fun, this book runs a similar register — it’s the most tense entry in the trilogy by a wide margin.
Deke (Book 3) — The Weakest Entry
Where it lands: Both hosts liked the individual characters but found the actual story the least compelling of the three — read quickly, without either host getting as emotionally invested as they had with the first two.s.
The Verdict
Read as a set, this trilogy is a genuinely good demonstration of range within a single trope — proof that “fake dating” isn’t one shape but a structural question (who’s fooled, publicly or privately, and what’s actually at risk) that a skilled author can answer three different ways without repeating themselves. Start with Fake Out regardless of your patience for the trope generally; it’s the strongest execution and the best entry point into the wider Eden Finley/Saxon James universe this series connects to.
Listen to the Full Discussion
49 | Same Trope, Three Ways: Eden Finley’s Fake Boyfriend Series — A decade after release, The Deal still outranks nearly every new sports romance on Amazon. Checked against our FAKING IT framework, here’s why it’s still the textbook.
The Full FAKING IT Framework
Read the FAKING IT Framework for the eight steps we check every fake dating book against.
This book also appears on our Fake Dating Romance Books and our Gay Sports Romance Books recommendation pages.
And check out our interview with Eden Finley about building her shared hockey universe (and how that came naturally out of the Fake Boyfriend series):